What is the microphone called that singers use?

The microphone that singers use is called a vocal microphone, often referred to as a handheld microphone or stage microphone. The most famous example is the Shure SM58, which has been the industry standard for live vocal performances for decades. Vocal microphones are specifically designed to capture the human voice clearly whilst rejecting background noise and feedback from monitor speakers. They typically feature a cardioid polar pattern that picks up sound primarily from the front, making them ideal for live performances where the singer holds the microphone or positions it on a stand. Professional vocal microphones come in both dynamic and condenser types, with dynamic models being more common for stage use due to their durability and feedback resistance.

What's the difference between dynamic and condenser microphones?

Dynamic microphones use a coil attached to a diaphragm that moves within a magnetic field to generate an electrical signal. They are robust, handle high sound pressure levels well, require no external power, and are less sensitive to room acoustics – making them ideal for live performances. Condenser microphones employ a thin diaphragm positioned near a backplate, forming a capacitor that captures far more detail and nuance than dynamic models. They require phantom power (typically 48V) to operate and are more sensitive to handling noise and environmental sound. Condenser microphones excel in studio recording environments where capturing every vocal subtlety matters, whilst dynamic microphones dominate live stages where durability and feedback rejection are paramount. The choice between them depends on Your application: choose dynamic for live performance and untreated rooms, condenser for studio recordings and controlled acoustic environments.

Which microphone is best for beginners?

For beginners starting with live performance, a dynamic cardioid microphone like the Shure SM58 or similar models from Sennheiser (e835) or AKG represents the best choice. These microphones are affordable (typically £80–£150), virtually indestructible, require no phantom power or special handling, and deliver professional sound quality that will serve You well from Your first rehearsal through to professional gigs. They're forgiving of technique mistakes, resistant to feedback, and work reliably in any environment. For beginners focused on home recording or studio work, a large-diaphragm condenser microphone in the £100–£200 range offers excellent value, capturing vocal detail and nuance whilst remaining within a reasonable budget. The key is choosing a microphone from a reputable manufacturer that will grow with Your skills rather than needing immediate replacement as You develop Your technique and performance abilities.

Can I use vocal microphones in the studio?

Yes, You can absolutely use vocal microphones designed for live performance in studio recording environments, and many professional recordings feature exactly that approach. Dynamic stage microphones like the Shure SM58 or SM7B are frequently used in studios for rock, punk, and hip-hop vocals where a more aggressive, present sound is desired, or when recording loud vocalists who might overload sensitive condenser microphones. The SM7B in particular has become a studio standard for broadcast and podcast recording. Using a stage microphone in the studio can also help capture some of the energy and immediacy of a live performance. However, for capturing maximum vocal detail, nuance, and the full frequency spectrum, dedicated studio condenser microphones generally provide superior results. The best approach depends on the specific sound You're trying to achieve – many professional studios keep both types available and choose based on the vocalist, musical style, and desired character.

Do I need phantom power for my microphone?

Whether You need phantom power depends entirely on Your microphone type. Dynamic microphones – the most common type for live vocal performance – do not require phantom power and work by simply connecting them to a mixer or audio interface via an XLR cable. Condenser microphones, however, require phantom power (typically 48 volts) to operate their active electronics and charge the capacitor element that captures sound. Most professional mixing consoles, audio interfaces, and preamps provide phantom power via a switch on each channel or globally across all inputs. When phantom power is activated, it's sent through the same XLR cable that carries the audio signal, so no additional connections are needed. It's safe to connect dynamic microphones to inputs with phantom power activated – they simply ignore it. Check Your microphone's specifications or manual to determine whether it requires phantom power, and ensure Your mixing equipment can provide it before purchasing a condenser microphone.

What does cardioid pattern mean for vocal microphones?

A cardioid pattern describes how a microphone responds to sound arriving from different directions, named for its heart-shaped sensitivity plot. Cardioid vocal microphones are most sensitive to sound coming from directly in front (where the singer positions themselves), moderately sensitive to sound from the sides, and least sensitive to sound from directly behind. This directional characteristic is crucial for live performance because it allows the microphone to focus on the vocalist's voice whilst rejecting sound from monitor speakers positioned behind or beside the performer, dramatically reducing feedback risk. Cardioid patterns also help isolate the vocalist from other instruments on stage, ensuring cleaner sound and better separation in the mix. The cardioid pattern is the most popular choice for vocal applications because it offers an excellent balance between directivity, feedback rejection, and natural sound quality. Understanding polar patterns helps You position microphones correctly and predict their behaviour in different acoustic environments.

What does a professional vocal microphone cost?

Professional vocal microphones span a wide price range depending on type, quality, and application. Entry-level models suitable for rehearsals and small venues start around £30–£50, offering acceptable performance for beginners. Mid-range professional microphones (£80–£200) from manufacturers like Shure, Sennheiser, and AKG represent the sweet spot for working professionals – models like the Shure SM58 (around £90), Sennheiser e835 (around £80), and similar products deliver reliable performance, excellent sound quality, and the durability needed for regular use. High-end professional models (£300–£800+) such as the Shure KSM8, Sennheiser MD 441, or Neumann KMS series provide exceptional sonic performance for critical studio applications, broadcast work, or premium live sound where every nuance matters. For most applications, investing £100–£200 in a quality microphone from a reputable manufacturer provides professional results and years of reliable service. At LTT, we stock vocal microphones across all price ranges, ensuring You can find the optimal solution for Your specific requirements and budget.

How do I prevent feedback with vocal microphones?

Preventing feedback with vocal microphones requires understanding the feedback loop and implementing several control strategies. Feedback occurs when amplified sound from speakers re-enters the microphone, gets amplified again, and creates a self-sustaining loop that produces the characteristic howling or ringing sound. First, choose a microphone with a cardioid, supercardioid, or hypercardioid polar pattern that naturally rejects sound from monitor speakers positioned behind or beside the performer. Second, position monitors carefully – place them in the microphone's rejection zones (typically behind a cardioid microphone) rather than directly in front where the microphone is most sensitive. Third, reduce overall system gain – use only as much volume as needed and avoid pushing levels into feedback territory. Fourth, use proper microphone technique – keep the microphone close to Your mouth and avoid pointing it toward speakers or monitors. Fifth, employ feedback suppression tools like graphic equalisers to notch out problematic frequencies, or use automatic feedback suppressors available in many modern digital mixers. Finally, treat Your room acoustically where possible to reduce reflections that contribute to feedback. Combining these strategies allows You to achieve adequate volume without feedback problems.

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Vocal microphones

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AKG P5 S Perception Live - dynamisches Gesangsmikrofon

AKG P5 S High-performance dynamic vocal microphone

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PD520BP Handheld Microphone 500 - 530 MHz

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Vonyx HH10 Handheld Microphone 863.1MHz

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OMNITRONIC Partymic-1 Dynamisches Mikrofon

OMNITRONIC Partymic-1 Dynamic Microphone

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Shure SM58 LCE

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DAP-Audio PL-08S Dynamic Vocal Microphone with ON/OFF switch

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Vonyx HH12 Handheld Microphone 864.5MHz

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MONACOR TXA-800HT Hand-held microphone with integrated multifrequency transmitter

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Shure PGA48-XLR-E

The dynamic PGA48 microphone is robust and offers a clear sound. It is ideal for karaoke or speech applications and is equipped with an on/off switch. The PGA48 comes with a microphone clip,...

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Shure Beta 87A

The Beta 87A is one of the most rugged, reliable condenser vocal microphones in the world. Its contoured, extended frequency response transmits every voice full of detail, precision and warmth. The...

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DAP-Audio PL-08 Dynamic Vocal Microphone

Cardioid dynamic microphone • Suitable for vocals • Steel grille • Can handle high sound pressure levels without distortion • Phantom power not required • The DAP PL-08 is...

€60.90 *

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Shure PGA58-XLR-E

Inspired by the legendary SM58, the PGA58 entry-level microphone delivers clear sound reproduction for lead or backing vocals. In addition, the cardioid polar pattern suppresses unwanted background...

€109.00 *

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JTS PDM-3 Dynamic vocal microphone

Dynamic vocal microphone Frequency response especially optimised for the vocal spectrum • Low handling noise and high acoustic feedback suppression • Robust design for a long life...

€70.00 *

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DAP CM-87 Kondensatormikrofon Große Membrane

DAP-Audio CM-87 Large-diaphragm FET Condenser Studio Microphone

Switchable pick-up pattern • Cardioid, figure-of-8 and Omnidirectional element • Large frequency response (20-20,000 Hz) • Low cut filter • Shock mount and leather pouch...

€161.15 *

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OMNITRONIC MIC 85S Dynamisches Mikrofon m. Schalter

OMNITRONIC MIC 85S Dynamic Microphone with Switch

Dynamic vocal microphone for studio and stage Dynamic microphone with cardioid characteristic for vocal applications • Tailored frequency response for clear and accentuated reproduction of...

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LD Systems U508 MC Handmikrofon Kondensator

LD Systems U508 MC - Condenser handheld microphone

Condenser handheld microphone UHF wireless microphone • Shock-mounted dynamic and condenser microphone capsules • Automatic channel scan • Easy one-touch infrared frequency syncing...

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LD Systems U508 MD Handmikrofon dynamisch

LD Systems U508 MD - Dynamic handheld microphone

Dynamic handheld microphone UHF wireless microphone • Shock-mounted dynamic and condenser microphone capsules • Automatic channel scan • Easy one-touch infrared frequency syncing...

€236.80 *

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LD Systems Sweet SixTeen MD B5 Handmikrofon dynamisch

LD Systems Sweet SixTeen MD B5 - Dynamic handheld microphone

Dynamic handheld microphone Handheld with dynamic capsule • Switchable Gain level (20 dB) • Easy handling and setting of the 16 channels • Low-battery indicator • Up to 10 hours...

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€103.79 *

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OMNITRONIC Partymic-1 Dynamic Microphone

Simple dynamic microphone including XLR/jack cable Polar pattern: Cardioid • For application areas such as: Party room • Package contents 1 x microphone, 1 x jack cable • Type: Vocal...

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LD Systems U518 MD Handmikrofon dynamisch

LD Systems U518 MD - Dynamic handheld microphone

Dynamic handheld microphone We have developed the U500® Series and incorporated some of your suggestions to provide sophisticated and affordable wireless systems that are tailored to suit the...

€236.80 *

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OMNITRONIC MIC 85 Dynamic Microphone

Dynamic vocal microphone for studio and stage Dynamic microphone with cardioid characteristic for vocal applications • Tailored frequency response for clear and accentuated reproduction of...

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RELACART UH-222D Microphone

Hand-held microphone with PLL multifrequency transmitter Dynamic hand-held microphone with UHF pilot tone technology (PLL) • Ergonomic aluminum alloy housing, applicable for touring • 10...

€119.00 *

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RELACART UH-222C Microphone

Hand-held microphone with PLL multifrequency transmitter Condenser hand-held microphone with UHF pilot tone technology (PLL) • Ergonomic aluminum alloy housing, applicable for touring...

€139.00 *

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OMNITRONIC WAMS-65BT Wireless Microphone

Replacement microphone for WAMS-65BT PA system Polar pattern: Cardioid • Package contents 1 x microphone, 1 x user manual, 1 x declaration of conformity • Type: Hand-held transmitter...

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OMNITRONIC VHF-100 Handmikrofon 205.75MHz

OMNITRONIC VHF-100 Handheld Microphone 205.75MHz

Hand-held microphone for VHF-100 receivers Polar pattern: Cardioid • Operating range up to 30m with line-of-sight • License free in germany • Power connection: Battery/battery pack...

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OMNITRONIC Funkmikrofon MES-Serie (864MHz)

OMNITRONIC Wireless Microphone MES-series (864MHz)

Dynamic hand-held microphone for the MES-12BT2 and MES-15BT2 wireless PA systems Polar pattern: Cardioid • Package contents 1 x transmitter • Type: Hand-held transmitter • Power...

€39.90 *

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OMNITRONIC Funkmikrofon MES-Serie (830MHz)

OMNITRONIC Wireless Microphone MES-series (830MHz)

Dynamic hand-held microphone for the MES-12BT2 and MES-15BT2 wireless PA systems Polar pattern: Cardioid • Package contents 1 x transmitter • Type: Hand-held transmitter • Power...

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€39.90 *

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AKG D5 S Dynamic Vocal Microphone

Cuts through the mix for lead and backing vocals The D5 professional dynamic vocal microphone for lead and backing vocals delivers a powerful sound even on the noisiest stage. Its...

€114.99 *

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LD Systems U505 MC Handmikrofon Kondensator

LD Systems U505 MC - Condenser handheld microphone

Condenser handheld microphone UHF wireless microphone • Shock-mounted dynamic and condenser microphone capsules • Automatic channel scan • Easy one-touch infrared frequency syncing...

€267.80 *

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LD Systems U506 MC Handmikrofon Kondensator

LD Systems U506 MC - Condenser handheld microphone

Condenser handheld microphone UHF wireless microphone • Shock-mounted dynamic and condenser microphone capsules • Automatic channel scan • Easy one-touch infrared frequency syncing...

€267.80 *

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LD Systems U506 MD Handmikrofon dynamisch

LD Systems U506 MD - Dynamic handheld microphone

Dynamic handheld microphone UHF wireless microphone • Shock-mounted dynamic and condenser microphone capsules • Automatic channel scan • Easy one-touch infrared frequency syncing...

€236.80 *

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LD Systems Sweet SixTeen MD B6 Handmikrofon dynamisch

LD Systems Sweet SixTeen MD B6 - Dynamic handheld microphone

Dynamic handheld microphone Handheld with dynamic capsule • Switchable Gain level (20 dB) • Easy handling and setting of the 16 channels • Low-battery indicator • Up to 10 hours...

€130.00 *

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Facts

Professional Vocal Microphones for Events and Stages: Whether You're performing on stage, recording in the studio, or leading a presentation – the right vocal microphone transforms Your voice into a powerful, clear signal that captivates Your audience. At LTT, You'll find professional vocal microphones from leading manufacturers like Shure, Sennheiser, AKG, and Beyerdynamic, designed specifically for the demands of live events and... Read more »

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