What is the microphone called that singers use?

The microphone that singers use is called a vocal microphone, often referred to as a handheld microphone or stage microphone. The most famous example is the Shure SM58, which has been the industry standard for live vocal performances for decades. Vocal microphones are specifically designed to capture the human voice clearly whilst rejecting background noise and feedback from monitor speakers. They typically feature a cardioid polar pattern that picks up sound primarily from the front, making them ideal for live performances where the singer holds the microphone or positions it on a stand. Professional vocal microphones come in both dynamic and condenser types, with dynamic models being more common for stage use due to their durability and feedback resistance.

What's the difference between dynamic and condenser microphones?

Dynamic microphones use a coil attached to a diaphragm that moves within a magnetic field to generate an electrical signal. They are robust, handle high sound pressure levels well, require no external power, and are less sensitive to room acoustics – making them ideal for live performances. Condenser microphones employ a thin diaphragm positioned near a backplate, forming a capacitor that captures far more detail and nuance than dynamic models. They require phantom power (typically 48V) to operate and are more sensitive to handling noise and environmental sound. Condenser microphones excel in studio recording environments where capturing every vocal subtlety matters, whilst dynamic microphones dominate live stages where durability and feedback rejection are paramount. The choice between them depends on Your application: choose dynamic for live performance and untreated rooms, condenser for studio recordings and controlled acoustic environments.

Which microphone is best for beginners?

For beginners starting with live performance, a dynamic cardioid microphone like the Shure SM58 or similar models from Sennheiser (e835) or AKG represents the best choice. These microphones are affordable (typically £80–£150), virtually indestructible, require no phantom power or special handling, and deliver professional sound quality that will serve You well from Your first rehearsal through to professional gigs. They're forgiving of technique mistakes, resistant to feedback, and work reliably in any environment. For beginners focused on home recording or studio work, a large-diaphragm condenser microphone in the £100–£200 range offers excellent value, capturing vocal detail and nuance whilst remaining within a reasonable budget. The key is choosing a microphone from a reputable manufacturer that will grow with Your skills rather than needing immediate replacement as You develop Your technique and performance abilities.

Can I use vocal microphones in the studio?

Yes, You can absolutely use vocal microphones designed for live performance in studio recording environments, and many professional recordings feature exactly that approach. Dynamic stage microphones like the Shure SM58 or SM7B are frequently used in studios for rock, punk, and hip-hop vocals where a more aggressive, present sound is desired, or when recording loud vocalists who might overload sensitive condenser microphones. The SM7B in particular has become a studio standard for broadcast and podcast recording. Using a stage microphone in the studio can also help capture some of the energy and immediacy of a live performance. However, for capturing maximum vocal detail, nuance, and the full frequency spectrum, dedicated studio condenser microphones generally provide superior results. The best approach depends on the specific sound You're trying to achieve – many professional studios keep both types available and choose based on the vocalist, musical style, and desired character.

Do I need phantom power for my microphone?

Whether You need phantom power depends entirely on Your microphone type. Dynamic microphones – the most common type for live vocal performance – do not require phantom power and work by simply connecting them to a mixer or audio interface via an XLR cable. Condenser microphones, however, require phantom power (typically 48 volts) to operate their active electronics and charge the capacitor element that captures sound. Most professional mixing consoles, audio interfaces, and preamps provide phantom power via a switch on each channel or globally across all inputs. When phantom power is activated, it's sent through the same XLR cable that carries the audio signal, so no additional connections are needed. It's safe to connect dynamic microphones to inputs with phantom power activated – they simply ignore it. Check Your microphone's specifications or manual to determine whether it requires phantom power, and ensure Your mixing equipment can provide it before purchasing a condenser microphone.

What does cardioid pattern mean for vocal microphones?

A cardioid pattern describes how a microphone responds to sound arriving from different directions, named for its heart-shaped sensitivity plot. Cardioid vocal microphones are most sensitive to sound coming from directly in front (where the singer positions themselves), moderately sensitive to sound from the sides, and least sensitive to sound from directly behind. This directional characteristic is crucial for live performance because it allows the microphone to focus on the vocalist's voice whilst rejecting sound from monitor speakers positioned behind or beside the performer, dramatically reducing feedback risk. Cardioid patterns also help isolate the vocalist from other instruments on stage, ensuring cleaner sound and better separation in the mix. The cardioid pattern is the most popular choice for vocal applications because it offers an excellent balance between directivity, feedback rejection, and natural sound quality. Understanding polar patterns helps You position microphones correctly and predict their behaviour in different acoustic environments.

What does a professional vocal microphone cost?

Professional vocal microphones span a wide price range depending on type, quality, and application. Entry-level models suitable for rehearsals and small venues start around £30–£50, offering acceptable performance for beginners. Mid-range professional microphones (£80–£200) from manufacturers like Shure, Sennheiser, and AKG represent the sweet spot for working professionals – models like the Shure SM58 (around £90), Sennheiser e835 (around £80), and similar products deliver reliable performance, excellent sound quality, and the durability needed for regular use. High-end professional models (£300–£800+) such as the Shure KSM8, Sennheiser MD 441, or Neumann KMS series provide exceptional sonic performance for critical studio applications, broadcast work, or premium live sound where every nuance matters. For most applications, investing £100–£200 in a quality microphone from a reputable manufacturer provides professional results and years of reliable service. At LTT, we stock vocal microphones across all price ranges, ensuring You can find the optimal solution for Your specific requirements and budget.

How do I prevent feedback with vocal microphones?

Preventing feedback with vocal microphones requires understanding the feedback loop and implementing several control strategies. Feedback occurs when amplified sound from speakers re-enters the microphone, gets amplified again, and creates a self-sustaining loop that produces the characteristic howling or ringing sound. First, choose a microphone with a cardioid, supercardioid, or hypercardioid polar pattern that naturally rejects sound from monitor speakers positioned behind or beside the performer. Second, position monitors carefully – place them in the microphone's rejection zones (typically behind a cardioid microphone) rather than directly in front where the microphone is most sensitive. Third, reduce overall system gain – use only as much volume as needed and avoid pushing levels into feedback territory. Fourth, use proper microphone technique – keep the microphone close to Your mouth and avoid pointing it toward speakers or monitors. Fifth, employ feedback suppression tools like graphic equalisers to notch out problematic frequencies, or use automatic feedback suppressors available in many modern digital mixers. Finally, treat Your room acoustically where possible to reduce reflections that contribute to feedback. Combining these strategies allows You to achieve adequate volume without feedback problems.

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Vocal microphones

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AKG P5 S Perception Live - dynamisches Gesangsmikrofon

AKG P5 S High-performance dynamic vocal microphone

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PD520BP Handheld Microphone 500 - 530 MHz

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Vonyx HH10 Handheld Microphone 863.1MHz

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DAP-Audio PL-08S Dynamic Vocal Microphone with ON/OFF switch

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OMNITRONIC Partymic-1 Dynamisches Mikrofon

OMNITRONIC Partymic-1 Dynamic Microphone

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MONACOR TXA-800HT Hand-held microphone with integrated multifrequency transmitter

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JTS TK-600 Dynamic vocal microphone

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Vonyx HH12 Handheld Microphone 864.5MHz

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Shure Beta 57A

No instrument microphone can be equally suited to all applications, but the Beta 57A comes pretty close to that ideal. With a contoured frequency response, the Beta 57A is at home with...

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Shure Beta 58A

Its contoured, wide frequency response makes the Beta 58A one of the most popular vocal microphones in the world. The even supercardioid pickup pattern provides the highest feedback immunity...

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Shure Beta 87C

The Beta 87C offers a linear, extended frequency response for vocal applications with a slight presence boost. The even cardioid pattern provides excellent rear shielding, making it ideal for...

€357.00 *

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Shure 520DX Handmikrofon

The tradition of the 520D, famous among harmonica players for its classic blues harp sound, is continued by the 520DX "Green Bullet". Details & Data: Volume control to adapt to any...

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Shure 545SD Universalmikrofon

The UNIDYNE III Model 545SD is a cardioid dynamic microphone with selectable impedance for low impedance operation. The 545SD is ideal for instrument miking and recording. Details & Data:...

€159.00 *

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Shure 55SH II Unidyne

The legendary 55SH II Unidyne has shaped stage and show history for over 60 years. The microphone with the characteristic design of the 50s and 60s is ideal for vocal transmission. Details &...

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Shure 565SD Universalmikrofon

The 565SD is a cardioid dynamic microphone with switchable output impedance and a rugged omnidirectional grille that includes a very effective wind and pop filter. Preset for low impedance...

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Shure KSM9

The first live vocal microphone with dual diaphragm and switchable polar pattern for perfect reproduction of the voice. After more than 80 years of working with the most successful musicians and...

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Shure SM57

The Shure SM57 is a cardioid dynamic microphone designed specifically for miking instruments and vocals. Its transparent, clear sound makes it ideal for live performances and studio recording. The...

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Shure SM63

The elegant and at the same time robust SM63 is a dynamic microphone with omnidirectional pickup pattern and high output power, which is used wherever professional sound transmission is important....

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Shure SM86

The Shure SM86 is a cardioid condenser microphone for professional live use. The rugged SM86 can withstand the rigors of stage use and delivers outstanding studio-quality sound. The SM86's...

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Shure VP64A

VP64A and VP64AL are dynamic omnidirectional microphones with high output power used in professional audio and video productions. Both microphones are identical except for their length. While the...

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LD Systems D 1006 Gesangsmikrofon dynamisch mit Schalter

LD Systems D 1006 - Dynamic Vocal Microphone with Switch

Dynamic Vocal Microphone with Switch Professional dynamic microphone with On/Off switch. Very robust construction and excellent value-for-money. 4,5 m XLR male / XLR female cable included. :...

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LD Systems WIN 42 MC B 5 Handmikrofon Kondensator

LD Systems WIN 42 MC B 5 Condenser handheld microphone

Due to the changed situation in the area of general frequency allocations for the operation of wireless systems starting in 2015, LD Systems decided to develop the even more flexible and highly...

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LD Systems WIN 42 MD B 5 Handmikrofon dynamisch

LD Systems WIN 42 MD B 5 Dynamic handheld microphone

Due to the changed situation in the area of general frequency allocations for the operation of wireless systems starting in 2015, LD Systems decided to develop the even more flexible and highly...

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LD Systems U506 UK MC Handmikrofon Kondensator

LD Systems U506 UK MC - Condenser handheld microphone

Condenser handheld microphone We have developed the U500® Series and incorporated some of your suggestions to provide sophisticated and affordable wireless systems that are tailored to suit the...

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JTS JSS-20/5 Dynamic hand-held UHF PLL transmitter

The wideband multifrequency system UF-20... from JTS is the perfect solution for stage applications of high requirements due to an excellent flexibility and reliability. The device impresses with a...

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DAP-Audio EDGE EHM-1 Wireless Handheld Microphone

High-quality cardioid condenser capsule • Suitable for live singing, acting and presenting • Easy operation with clear and pure sound • Display for name, battery status, gain freq....

€175.00 *

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PD520BP Handheld Microphone 500 - 530 MHz

A reliable wireless UHF microphone with excellent and IR learning system for channel selection, offering good sound quality. Compatible with PD52x serie microphone systems. Suitable for DJs,...

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Professional Vocal Microphones for Events and Stages: Whether You're performing on stage, recording in the studio, or leading a presentation – the right vocal microphone transforms Your voice into a powerful, clear signal that captivates Your audience. At LTT, You'll find professional vocal microphones from leading manufacturers like Shure, Sennheiser, AKG, and Beyerdynamic, designed specifically for the demands of live events and... Read more »

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